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 For my divination altar, I use a blue and gold cloth that I wove. For the Sacred Fire, I have a candle burner. I use an abalone shell for offerings and to burn incense in. For divining, I have three large crystals of celestite, kyanite, and labradorite.
 
Before laying out the altar, I purify myself by washing my hands and the area by sprinkling water. Then I arrange the altar and put on my divination stole. Sitting quietly, I collect myself and focus on my intent to do divining.
 
Afterwards, I light the candle and ask for inspiration from the Sacred Fire. Making an offering of incense in the bowl, I welcome energy and inspiration at my altar. (“I ignite the spirit of my practice, and welcome warmth, transformation, and energy into this space.” (Note 1)) I put my hands over the crystals and charge them to open the spaces between the worlds. I consecrate the altar as a center for my divination by saying “May my divining be fair and true.”
 
After doing the divination, I thank each of the crystals and the altar for allowing the sacred space to be. Then I make an offering of incense to thank the Sacred Fire for being the vertical axis between the worlds. Finally, I thank all of those present for their grace and wisdom. Putting out the candle, I sit quietly before storing my tools.
 
In my practice, I use the spiritual model of magic. I have developed deep connections with the Holy Powers through ritual, prayers, and offerings. In addition, I have devotions to the various Gods of Divination. Therefore, my natural way of structuring spells is to do so with the Holy Powers in mind.
 
My experiences with altars are that they are liminal spaces between the Worlds. The consecrated altar is alive as an entity, while the unconsecrated one is simply a collection of objects. The altar then becomes a holy place for meeting the Sacred Powers. Since my magic is spiritual in nature, I see the altar as the meeting place between me and those Powers.
 
Notes:
 
Note 1. From the Wizardry 100 Consecration Ritual written by Headmaster Nicholas Kingsley of the Grey School of Wizardry.
 
Works Used:
 
Greer, John Michael, “The New Encyclopedia of the Occult.” Woodbury (MN): Llewellyn. 2003.
Mankey, Jason and Laura Tempest Zakroff, “The Witch’s Altar.” Woodbury (MN): Llewellyn. 2021.
Michelle, Heron, “Elemental Witchcraft.” Woodbury (MN): Llewellyn. 2021.
Thompson, David, “High Magick 101.” Self-published. 2021.
Zell-Ravenheart, Oberon, “Grimoire for the Apprentice Wizard.” New Page Books: Franklin Lakes (NJ). 2004.
neptunesdolphins: dolphins leaping (Default)
My experience with altars is that they are places of devotion. After reading “The Witch’s Altar” by Jason Mankey and Laura Tempest Zakroff, I find that they are also used for blessings, consecrations, honoring, inspiration, magic, ritual offerings, sacrifices, and spellcraft. Afterwards, I looked at my own altar differently. I did do all those things but regarded them as acts of devotion.
 
My main altar is for devotion to the Roman Gods. Since I practice the Religio Romana, I have the proscribed Roman altar. The Roman religion is exacting in terms of honoring the Gods. Because the Gods, humans, and the Others rely on reciprocity between each other, proper piety (pietas) is important. (Religio Romana is an orthopraxic religion.)
 
Called a Lararium, the altar is the home of the Lares and Genius (Note 1) (the household and family spirits). It is usually placed by the door to watch over the comings and goings of the family. (The altar is like the door — a liminal space.) Therefore, it is placed near the entrance.
 
The Lararium has containers for incense (acerra), salt (salinum), and milk (or wine) (gutus). The offering dish (patera) is for food or milk from the household meals. The incense burner (turibulum) is used for creating scents or to burn incense. Finally, the Sacred Fire (Who is the Goddess Vesta) is represented by the lucerna (sacred lamp) where the fire is symbolically kept.
 
Like the standard Neo-Pagan altar, the Lararium has representations of the elements. Water is represented by the offering dishes for milk and wine. Fire is the lucerna, while Earth is the salt container, and Air the incense burner. Of course, Spirit is represented by the statues of the Lares and other Gods, as well as the Sacred Fire. Roman altars are used mostly for devotion although magic is done by offerings, petitions, prayers, and requests.
 
There is a standard Roman ritual for consecrating a Lararium. First is the cleansing of the self and the altar with water (Ablutio). The Praefatio is the incense offering to Janus, the Divine Doorkeeper, God of Liminal Spaces. (Note 2) The Precatio is the formal prayers and offerings. The Redditio is the final offering to Janus. Before closing, one final offering is made – the Piaculum, which is to excuse any mistakes that were inadvertently made during the ritual. Then the rite is over.
 
Notes:
 
Note 1. The Lares Familares (Guardians of the Family) and Lares Domestici (Guardians of the House) are depicted as youths holding cups and bowls. The Genius, depicted as a snake, is the Guardian Spirit of the Family Line.
 
Note 2. The two-faced God, Janus, always receives the first and last offerings of any Roman ritual.
 
Works Used:
 
Adkins Lesley and Roy Adkins, “Dictionary of Roman Religion.” New York: Oxford University Press. 1996.
Mankey, Jason and Laura Tempest Zakroff, “The Witch’s Altar.” Woodbury (MN): Llewellyn. 2021.
Triarius, L. Vitellius, “Religio Romana Handbook.” Charleston (SC): Masonic Press. 2014.
 
neptunesdolphins: dolphins leaping (Default)
 
 
At the time, I did not realize it but I had established a community altar to Minerva. (For over a year, I have continued to maintain it.) It all began because I wanted to find a place to donate my surplus books. Walking by, I saw that the “Community Book Nook” was sadly being neglected. Therefore, I reasoned that it would be the perfect place for my books.
 
The local strip mall in my neighborhood has a bank, CVS store, three local eateries – pizza, taco, and yoghurt, and a grocery store. The owners of the mall wanted it to be a pleasant community space. Hence, they placed wooden benches, tables, and chairs around in cozy arrangements surrounded by planters. They set aside an area with built-in bookshelves with chairs for reading.
 
Since few people knew what to do with the “Book Nook,” it had empty shelves. The Nook was a sad little place where people waited for carryout pizza. Since I had a hundred books to get rid of, I decided to adopt the Nook. Weekly, I would bring books and arrange them. Weekly, they would disappear, and a few new books would appear.
 
Over time, more and more books appeared. Readers were looking for books to read, and books were looking for readers. Within three months, people were donating children’s books. The Nook now had two sections of books – child and adult. When I came by, I would find fathers reading the books to their children.
 
Now, people regularly donated many different genres of books turning the Nook into a “proper library.” I continued to bring mine, and rearrange the books into categories. As I was doing this, various people would ask me about the books. I would tell them that they could take them, read them, and donate other books. Thus, I become known as the “book lady” around the neighborhood.
 
Upon reflecting this further, I realized that I had established a community altar (consisting of books) to Minerva, Goddess of Learning. Not only that, but I became her “priestess” tending to the books. Since it was her altar now, Minerva blessed the “Community Book Nook.” It has become a thriving spot in the neighborhood for people to come and enjoy books.
 
My simple action of finding a place for my books morphed into a mini-library. People now regularly check for new books or old favorites. Through it all, I am still the Book Lady, Priestess of Minerva.
 
Meanwhile, I continue to drop off books on Pagan and Polytheistic topics. I regarded this as stealth activity for the Gods. These books were usually the first to be snatched up and read.
 
The actions I took established an altar to a God. As Polytheists about in the world, we can become aware of opportunities for community altars. They do not have to be simply for Polytheists, but with creative thinking, they can be for everyone. What I found was that people participated in the spirit of the Nook.
 
Meanwhile, Minerva was probably prompting them unawares or simply opening them up to other possibilities. One is that Polytheism is a viable choice. The Gods do things that we cannot imagine unless afterwards we take time to ponder.
neptunesdolphins: dolphins leaping (Default)
 In “Ritual as Remedy: Embodied Practice for Soul Care,” Mara Branscombe writes “The need for ritual is a primal and human instinct, a compelling impulse to unite with something beyond the mundane world towards the infinite… When we awaken the power to self-guide through ritual, we get intimate with the great mystery that life brings. A door opens beyond the mundane of everyday life to the sacredness that exists.”
 
Branscombe asserts that rituals serve as sanctuaries. “Mindful, intentional, and ceremonial experiences can reflect back to us both the ‘truths’ and the ‘untruths.’ This is the power of ritual: to engage and infuse life with present moment awareness, gain inspiration from our current experiences, and align with a deeper connection towards the sacred, individually and collectively.”
 
Usually when people think of rituals, they picture a church service. However, standing and singing the National Anthem is a ritual. Having high tea with a friend is another ritual. In fact, a ritual can be anything that is done with intention and attention.
 
Mindful of the potency of rituals, it is important to establish liminal spaces between humans and the Gods (Note on Altars). During a ritual, a sacred alchemy happens between the human and the Cosmos. This is because a person pays attention and holds space where the Unknown can enter. This action allows a space for the multiplicity of life.
 
More than formal activities, whose steps are etched in stone, are the daily rituals of morning coffee and other mundane activities. Daily rituals are a part of the rhythms of daily life. The threads of the tapestry of life, they weave the woof of humans with the weft of the Sacred.
 
A daily devotional practice brings balance to our lives. It is the pause in the day that establishes a rhythm and steadiness in life. The daily devotions tether people to the here and now. They act as the axis mundi between the mundane and the sacred. Through daily rituals, people align themselves to the cosmic and natural rhythms of the Worlds. These devotions give the power to the person to pause and feel any presence that may be there. By allowing ourselves to sit with the Unknown, we can feel the Gods unfolding.
 
Five Steps for a Daily Ritual
By Mara Branscombe
 
Choose a simple intention: “Today, I am praying to gracious Venus.”
Start with a simple step: List three attributes of Venus.
Have something inspire you: It could be an image of the Goddess.
Honor the ritual: To do this, set time aside to do it daily.
Release the outcome of the ritual: Allow your inner mystic to shine forth.
A Note on Altars:
An altar is a place of magic because it exists in our world and in the others. Altars are liminal spaces where the Gods and Ancestors reach out to us. An altar needs to be attended to and kept clean regularly. The more we care for our altars and have our daily rituals at them, the greater the connection between this world and the others.
 
Suggested Reading:
Mara Branscombe, “Ritual as Remedy, Embodied Practices for Soul Care.”
Julia Paulette Hollenbery, “The Healing Power of Pleasure.”
Christian Valters Paintner, “Birthing the Holy.”

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