neptunesdolphins: (Panzuzu)
 
 
Ronald Hutton (1953-, U.K.) in his essay, “Framework for the Study of European Magic,” observed that the materials from Mesopotamia showed “no sign that human beings were believed to be capable of coercing deities… without divine help.” He continues that the peoples of Mesopotamia “made a practice of timing important actions in harmony with heavenly bodies.” Moreover, they had an acute fear of witchcraft (i.e. “magic employed secretly and maliciously by other human beings.”) A few years later, writing in “The Witch” in 2017, Hutton noted that magic was a part of official religion in Mesopotamia. Since the peoples of that region made no distinction between religion and magic, both were a part of their daily lives.
 
Hutton’s later perception agrees with the various experts of Mesopotamia – Thorkild Jacobsen (1904-1993, Demark), Jeremy Black (1951-2004, U.K.) and Anthony Green (1956-2012, U.K.). Knowledgeable about the cultures of this region, these three Assyriologists stated that the various cultures believed that the world to be numinous and immanent for the Spirits were indwelling. For example, a Babylonian would have regarded the Burning Bush differently from Moses. They would have recognized as Moses did that the God, who was separate from the Bush. However, they would also have worshipped the Bush as a place where the God resided at one time. For a Babylonian, a God could reside in an object without their power diminishing elsewhere. In the mind of a Babylonian, a statue (or bush) could be a repository of the God but not be the God. Therefore, in Mesopotamia, the capture of the statue of a city’s God would be a calamity.
 
Within the cultures of Mesopotamia, magic consisted of asking for intercession with the Gods (and other Beings). Rituals could involve redirecting a potentially bad event or bringing comfort and healing. Before doing any ritual, divination was used for learning what the person was dealing with. (Divination was also considered to be magic.)
 
If the signs from the divination were ominous, the ritual of Namburbu (“the undoing of potential evil”) was conducted. In this ritual, people would apologize to the various Gods (known and unknown). Since people could disrupt the order of the universe accidentally, the Surpu (“burning”) would be conducted. This ritual was for the “undoing of unknown ‘sins.’” (Note 1.) During this ritual, a person would peel and onion while reciting their actions, and then feed the fire with the peelings. Once the onion was burnt, the person became “right with the universe.” In the case of illness, a medical magician (Asipu) would divine the problem and address the demons of the illness in the name of the Gods.
 
My definition of magic is that it how a person participates in the Cosmos with the Holy Powers. For me, magic and religion are the same, since they both entail participation in the ecology of the Cosmos. Therefore, I feel aligned with the Mesopotamian sense of magic. As they did, I believe that we all live under the same universal laws (Gods, Humans, spirits). Sometimes we inadvertently disrupt the order and things happen. One way of setting things right is through offerings and prayers.
 
For example, when I sustained my brain injury, I did make offerings for healing. Since the injury was a random event, I could have, earlier, disrupted the ecology of the Cosmos, quite by accident. My usual practice is to do divination before deciding what action to take. By conducting rituals and prayers, I have recovered from the trauma of what happened to me. I still have the injury but I now feel “right with the Universe.” Thus, my sense of magic fits well into the cultures of Mesopotamia.
 
Notes:
Note 1. In Mesopotamian cultures, a “sin” is an “act or omission of offending the Gods and disturbing the world order.” Prayer can undo “sin.”
 
Works Used:
Bairgent, Michael, “Astrology in Ancient Mesopotamia.” Bear and Co.: Rochester (VT). 1994.
 
Black, Jeremy and Anthony Green, “Gods, Demons and Symbols of Ancient Mesopotamia.” University of Texas: Austin. 1992.
 
Black, J.A., Cunningham, G., Ebeling, J., Flückiger-Hawker, E., Robson, E., Taylor, J., and Zólyomi, G., “The Electronic Text Corpus of Sumerian Literature,” Oxford University. 2006. http://etcsl.orinst.ox.ac.uk/,
 
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
 
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
—, “A Framework for the Study of European Magic.” Grey School of Wizardry Class Materials. Dell.Urgano, Ombra, “The Development of European Magic.”
 
Jacobsen, Thorkild, “The Treasures of Darkness.” Yale University Press: New Haven. 1976.
 
Koutrafouri, Vasiliki G. and Jeff Sanders, eds. “Ritual Failure: Archaelogical Perspectives.” Sidestone Press: Leiden. 2013.
 
Moro, Pamela, “Witchcraft, Sorcery, and Magic.” International Library of Anthropology. https://onlinelibrary.wiley.com/doi/full/10.1002/9781118924396.wbiea1915, .
 
Van Buylaere, Greta, Daniel Schwemer, et. al. “Sources of Evil: Studies in Mesopotamian Exorcistic Lore.” Koninklijke Brill NV: Leiden. 2018.
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Defining magic can be problematic since it is hard to pin down concretely. In 1911, Sir James Frazer, attempted a modern definition for magic. Frazer said “Magic attempts to compel the powers of the Universe; religion supplicates them.” Bronislaw Malinowski, a noted anthropologist, refined Frazer’s definition in 1930. He wrote “Magic is a practical art consisting of acts, which are only means to a definite end.” Then Malinowski explained, “religion, in contrast, is a body of self-contained acts being themselves the fulfillment of their purpose.” This approach has become the default for many years.
 
This separation of magic from religion has been long embedded in Western intellectual thought. When monotheistic religions became dominant in the West, the two became separate. Christianity absorbed positive magic as being “official religion.” Rituals such as prayers for healing or Roman Catholic Mass were religious, since their results were miracles of God.
 
In contrast, magic, which was focused on the individual, was not about pleasing or placating God. Instead, the individual directs the various spirits to do their bidding. Therefore, magic, in having specific aims, was manipulative. In summary, magic was about achieving venial ends like receiving more money whereas religion was about noble ends such as prayers to end a plague.
 
The problem with the traditional definition is that it cannot be applied to non-Western cultures or to ancient ones. Noted academic of Greco-Roman magic, Richard Gordon declared that this approach was unusable. He said that people in Roman times regarded magic differently than what Frazer had thought. Gordon observed that the people conducted the rituals did so for their own purposes. These could range such as asking the Gods to look favorably on the State or to have their soldiers achieve victories. He proposed a new approach that he called “ritual power.”
 
There were still problems with Gordon’s approach as it still assumed that magic was done alone and in secret. Therefore, other scholars proposed a different approach. Expanding on Richard Gordon’s ideas, they said that magic was what ancient and medieval cultures regarded it to be. For example, the Greeks determined magic to be more transgressive, usually to harm other people. In contrast, Egyptians thought of magic in two ways- “heka” which ensured the harmony of the cosmos, while “akha” came from the Beings of the Underworld. Meanwhile, the Romans regarded anything done against the communal good to be magic. Again, the split between magic and religion defaulted to Frazer’s original ideas.
 
The third alternative to the traditional definition was first suggested by (David) Emile Durkheim, the French sociologist. Considered the “Father of Modern Sociology,” Durkheim wrote that religion was “a unified system of beliefs and practices relative to sacred things… in one single moral community.” He continued that magic “was not directed towards the gods or sacred things.” Durkheim felt that each society would define what was either magic or religion. Thus, the definition of magic would be made by the culture itself and not by academics.
 
This approach has problems as well. What each culture decided was transgressive (i.e. magic) differed across time and cultures. What was considered to be magic in Egyptian society of the First Dynasty was changed by the time of Cleopatra. Meanwhile, how could scholars discuss magic across dissimilar cultures? If the definition kept shifting, then the study of magic would be comparing apples with acorns.
 
Works Used:
Bowie, Fiona, “The Anthropology of Religion: An Introduction.” 2008. PDF. https://www.academia.edu/331603/Anthropology_of_Religion.
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
Greer, John Michael, “The Occult Book.” Sterling: NY. 2017.
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
—, “A Framework for the Study of European Magic.” Grey School of Wizardry Class Materials. Dell.Urgano, Ombra, “The Development of European Magic.”
Moro, Pamela, “Witchcraft, Sorcery, and Magic.” International Library of Anthropology. https://onlinelibrary.wiley.com/doi/full/10.1002/9781118924396.wbiea1915.
neptunesdolphins: dolphins leaping (Default)
 
 
In contrast, Evans-Pritchard, in his fieldwork, stressed that the observer of a culture needs to be neutral in their assessments. He wrote of being tolerant of other societies. According to Evans-Pritchard, the ethnographer had to divorce themselves from their own cultural expectations to study other cultures.
 
The dominant theory that Evans-Pritchard learned was Structural Fundamentalism, which was developed in opposition to Evolutionism. Developed by Bronislaw Malinowski and Alfred Radcliffe-Brown (Note 3.), this theory maintained that each society is a holistic integrated system sustained by individuals. The interlocking series of relationships within each society functioned as a system to keep it from disintegrating. Therefore, each culture has its own internal logic.
 
Evans-Pritchard first did his fieldwork, in the 1930s in Southern Sudan, among the Azande and Nuer. When he was with both peoples, Evans-Pritchard participated in their daily lives such as oracle taking. Keenly aware that he was an outsider, Evans-Pritchard knew he could not know how these Africans thought. Therefore, he learned the language of the people he was living with. Through their language, Evans-Pritchard could grasp important concepts of the Azande and Nuer.
 
When Evans-Pritchard started his fieldwork in Africa, the world had changed from Frazer’s time. The First World War destroyed European confidence and shattered empires. The pointless chaos of the First World War exposed the inanity of the Victorian mindset.
 
During the Second World War, Evans-Pritchard served in the African Resistance against Italy. In North Africa, with the Arab tribes, he engaged in guerilla warfare. From that vantage point, he witnessed the dismantling of the British Empire and the rise of the African nations.
 
Studying various religions in the 1950s and 1960s, Evans-Pritchard believed that religion was not constructed for either sociological or psychological reasons. He said that those reasons are what non-believers theorized about “alien” religions. Evans-Pritchard thought that people formed religions based on their perception of reality. Religion and magic were rational and logical ways of engaging with the world.
 
In his writings, Evans-Pritchard separated sorcery from witchcraft. He defined sorcery as magic that caused harm. In contrast, witchcraft was used to air and resolve social tensions. He wrote that “good magic judges and acts only against criminals. Bad magic slays one of the parties without regards to the merit of the case.” Evans-Pritchard defined a “witch” as a person suspected of practicing prohibited forms of magic. In contrast, “sorcerers” actively engaged in using magic for ill. His definitions reflect both British and African sensibilities.
 
Frazer and Evans-Pritchard agreed that magic was separate from religion. Magic was a result of how people dealt with their environment. Frazer thought that a person misinterpreted the natural world, while Evans-Pritchard that it was a logical response. However, both men believed that science would render magic useless. In that they reflected British sensibilities about the supremacy of technology and progress.
 
Notes:
Note 3. Evans-Pritchard knew both men.
 
Works Used:
Bowie, Fiona, “The Anthropology of Religion: An Introduction.” 2008. PDF. https://www.academia.edu/331603/Anthropology_of_Religion.
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
Evans-Pritchard, Edward Evans, “Social Anthropology and Other Essays.” Free Press: New York. 1966.
Frazer, James, “The Belief in Immortality and the Worship of the Dead.” The Gifford Lectures. https://www.giffordlectures.org/lectures/belief-immortality-and-worship-dead.
— The Worship of Nature.” The Gifford Lectures. https://www.giffordlectures.org/lectures/worship-nature.
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
—, “A Framework for the Study of European Magic.” Grey School of Wizardry Class Materials. Dell.Urgano, Ombra, “The Development of European Magic.”
Long, Heather and Kelly Chakov, “Social Evolutionism.” University of Alabama. 2022. https://anthropology.ua.edu/theory/social-evolutionism/.
Moro, Pamela, “Witchcraft, Sorcery, and Magic.” International Library of Anthropology. 2022. https://onlinelibrary.wiley.com/doi/full/10.1002/9781118924396.wbiea1915.
Porth, Eric, Kimberley Neutzling and Jessica Edwards, “Functionalism.” University of Alabama. 2022. https://anthropology.ua.edu/theory/functionalism/.
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 Two theorists of magic – Sir James Frazer and Edward Evan (E.E.) Evans-Pritchard lived in the United Kingdom during the first half of the Twentieth Century. However, Frazer (1854-1944) was a product of Victorian England. Evans-Pritchard (1902-1973) came of age after the First World War, during a time of great upheaval.
 
Like his cohorts of Victorian England, Frazer embraced the social theory of Evolutionism. Derived from Charles Darwin’s theories of biological change, Evolutionism was the dominant thought in anthropology until the First World War. According to Evolutionism, all cultures are homogenous, and evolved in three stages – “savagery, barbarism, and civilization.” (Note 1.) This theory was based on the assumption that the “human mind everywhere was similar” – called “psychic unity.” Therefore, all cultures advanced through the three stages, such that the tribal societies of Australia would eventually become like the civilized societies of Europe.
 
Frazer, a person of his time, did not question the assumptions of Evolutionism. He lived during the era of Western dominance and imperialism. The European empires assumed the responsibility to civilize the backward societies of their colonies, including China and India.
 
Based on his assumption of the “psychic unity of humans,” Frazer gathered his information from various missionaries in the field. Then, he assembled the data, analyzed and compared cultures. As the first to study religion as an academic field, Frazer regarded it to be a social activity that could be compared across disparate cultures.
 
Living during the Industrial Revolution, Frazer believed that science was the end-point of civilized societies. Possessing a subtle anti-religiosity, he thought that magic and religion were stepping stones to rational thinking. Frazer claimed that “magic is a false and bastard science.”
 
According to Frazer, “savages” could not understand the difference between the natural and the supernatural. To explain this thinking, he constructed the “Law of Sympathy.” Frazer broke this law down into two parts – the “Law of Similarity” and the “Law of Contagion.” (Note 2.) The first said that “things that are alike are the same.” The latter said that “a thing once in contact will remain in contact even after the connection is severed.” For Frazer, magic was a ruder phase of the mind – i.e. “primitive.”
 
According to Frazer, as a culture matured, it would move into more abstract thinking and embrace religion. He said, “magic attempts to compel the power of the universe; religion supplicates them.” Religion is “a slight and partial acknowledgement of powers superior to man.” Therefore, religion was a stepping stone to the “wisdom of science” from “the follies of magic!” (Emphasis is Frazer’s.)
 
Notes:
Note 1. The terms used by Frazer such as “savages” or “primitives” are from Evolutionism.
Note 2. Frazer’s laws of magic were later codified by practicing wizards.
 
Works Used:
Bowie, Fiona, “The Anthropology of Religion: An Introduction.” 2008. PDF. https://www.academia.edu/331603/Anthropology_of_Religion.
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
Evans-Pritchard, Edward Evans, “Social Anthropology and Other Essays.” Free Press: New York. 1966.
Frazer, James, “The Belief in Immortality and the Worship of the Dead.” The Gifford Lectures. https://www.giffordlectures.org/lectures/belief-immortality-and-worship-dead.
— The Worship of Nature.” The Gifford Lectures. https://www.giffordlectures.org/lectures/worship-nature.
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
—, “A Framework for the Study of European Magic.” Grey School of Wizardry Class Materials. Dell.Urgano, Ombra, “The Development of European Magic.”
Long, Heather and Kelly Chakov, “Social Evolutionism.” University of Alabama. 2022. https://anthropology.ua.edu/theory/social-evolutionism/.
Moro, Pamela, “Witchcraft, Sorcery, and Magic.” International Library of Anthropology. 2022. https://onlinelibrary.wiley.com/doi/full/10.1002/9781118924396.wbiea1915.
Porth, Eric, Kimberley Neutzling and Jessica Edwards, “Functionalism.” University of Alabama. 2022. https://anthropology.ua.edu/theory/functionalism/.
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 In the 1980s, David Hune (1939-, American), a scholar of the New Testament, added his voice to the debate about magic. Hune complained that the old dichotomy between religion and magic was unworkable. How does one understand the miracles of the Apostles? He felt that more guidance was needed.
 
Meanwhile, Tanya Luhrmann (1959-), an American anthropologist, offered new insights in studying magic. After her field work with contemporary Wiccans in England in 1989, she published “Persuasions of the Witch’s Craft.” Luhrmann said that in magical belief, an “interpretative drift” occurs. First, a person finds the ideas of magic persuasive. Then, they notice how magic affects their material world. As they gather data, the person begins to firmly believe in the reality of magic.
 
Susan Greenwood (English) also studied with Wiccans in London. To rebut Luhrmann, Greenwood wrote “Magic, Witchcraft and the Other World: An Anthropology (1991).” She stressed that a person has to experience magic. It cannot be studied since magic was a form of consciousness.
 
By 2000, many anthropologists and other academics agreed that separating magic from religion was futile. Moreover, nobody had any idea of what was which. Those who studied ancient and medieval texts complained that they need better rubics.
 
In 2006, Fiona Bowie (British) published “The Anthropology of Religion.” She studied how a culture mystifies a magical experience. For magic to exist, there has to be a prevalent belief of a life force within people and nature. Moreover, the belief that good fortune is limited prompts that culture to regard magic as essential. (Note 1)
 
Her contemporary, Peter Geschiere (Dutch) published in 2013, “Witchcraft, Intimacy, and Trust: Africa in Comparison.” He counseled that magic should be viewed in relationship to modernity, political power and the State. According to Geschiere, magic addresses issues that are crucial to social relationships. Therefore, magic should be defined as how a given society say that it is.
 
Notes:
Note 1. Fiona Bowie founded the Afterlife Research Centre to work on ethnographic approaches to mediumship and the afterlife. Their website is http://afterliferesearch.weebly.com/.
 
Works Used:
Bowie, Fiona, “The Anthropology of Religion: An Introduction.” 2008. PDF. https://www.academia.edu/331603/Anthropology_of_Religion.
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
Dobler, Gregor, “Fatal Words: Restudying Jeanne-Favret-Saada.” Anthropology of This Century, Issue 13, May 2015. http://aotcpress.com/articles/fatal-words-restudying-jeanne-favretsaada/.
Greer, John Michael, “The Occult Book.” Sterling: NY. 2017.
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
—, “A Framework for the Study of European Magic.” Grey School of Wizardry Class Materials. Dell.Urgano, Ombra, “The Development of European Magic.”
Moro, Pamela, “Witchcraft, Sorcery, and Magic.” International Library of Anthropology. https://onlinelibrary.wiley.com/doi/full/10.1002/9781118924396.wbiea1915.
Seligmann, Kurt, “The Mirror of Magic.” 1948. Inner Tradition: Rochester (VT)
 
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 Studying the Navaho in 1949, Clyde Kluckholn (1905-1960, American) saw the same role that magic had in society as Evans-Pritchard (in Part 1). Magic resolved tensions among people by channeling their anxieties. In the Navaho culture, witchcraft, separate from magic, influenced events by anti-social means.
 
In 1957, cultural anthropologist Victor Turner (1920-1983, British) wrote “Schism and Continuity in an African Society: A Study of Ndembu Village Life.” In studying rituals, Turner defined “liminality,” as the “transitional phrase of betwixt and between of individuals in society.” He also coined “communitas,” which is “when all members of a community were equal in sharing a ritual.” According to Turner, magic and religion were “social dramas” used to resolve conflicts. For him, magic was a ritual performance with a specific end.
 
In “Religion among the Primitives (1951),” William Goode (1917-2003, American) presented the eleven characteristics (Note 1) of how magic differs from religion. This sociologist noted that magic focused on individual needs. Moreover, it was more concrete and specific in its goals.
 
Beginning in the 1960s, many anthropologists regarded the academic approaches to magic as inadequate. Studying Asian societies, Stanley Jeyaraja Tambiah (1929-2014, Sri Lankan) explained that the Western idea of separating magic from religion was in error. Magic, religion, and science have their own “qualities of rationality.” They were all systems for people to gain mastery over their situations.
 
The anthropologists, Murray Wax (1922-2012, American) and his wife Rosalie Wax (1911-1998, American) realized that Western intellectuals were hostile to magic. Echoing Tambiah, the Waxes maintained that magic was a part of a society’s worldview. In the 1970s, they wrote that magic was indeed an ordinary part of society.
 
In 1977, Jeanne Favret-Saada (1934-, French) wrote “Deadly Words: Witchcraft in the Bocage.” Studying magic in France, Favret-Saada theorized that witchcraft gained its power by speech. In Europe, as elsewhere, magic was a part of daily life. Moreover, she observed that in Europe, witchcraft was used to gain power, and not knowledge.
 
Meanwhile, social anthropologist Mary Douglas (1921-2007, British) studied ritual purity and pollution. For her, the traditional concept of magic was useless. Writing in the 1970s, Douglas said that there was little difference between the rituals of Europeans and “primitive” societies. According to her, Eurocentric concepts of magic were wrong. However, she did view witchcraft a disruption to the structure of society since the witch was either an outsider or an internal enemy.
 
Notes:
Note 1. His rules were: 1. Concrete specificity of a goal, 2. Manipulation, 3. Professional-client relationship, 4. Focus on an individual’s ends, 5. Practiced only by individuals, 6. Technique can be changed, 7. Lesser emotional involvement, 8. Evading the nature of the universe, 9. Bending the rules of the universe, 10. No accepting the universe as it is, 11. Instrumental use for the attainment of specific goals.
 
Works Used:
Bowie, Fiona, “The Anthropology of Religion: An Introduction.” 2008. PDF. https://www.academia.edu/331603/Anthropology_of_Religion.
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
Dobler, Gregor, “Fatal Words: Restudying Jeanne-Favret-Saada.” Anthropology of This Century, Issue 13, May 2015. http://aotcpress.com/articles/fatal-words-restudying-jeanne-favretsaada/.
Greer, John Michael, “The Occult Book.” Sterling: NY. 2017.
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
—, “A Framework for the Study of European Magic.” Grey School of Wizardry Class Materials. Dell.Urgano, Ombra, “The Development of European Magic.”
Moro, Pamela, “Witchcraft, Sorcery, and Magic.” International Library of Anthropology. https://onlinelibrary.wiley.com/doi/full/10.1002/9781118924396.wbiea1915.
Seligmann, Kurt, “The Mirror of Magic.” 1948. Inner Tradition: Rochester (VT)
neptunesdolphins: dolphins leaping (Default)
 Magic has been studied by the ancients such as Pliny and Plato. In his “Natural History,” Pliny tried to distinguish between “magic” and “religion.” Later, Church fathers (St. Augustine and St. Thomas among others) debated whether the miracles of Christ were either magical or religious. Finally, it became a subject for study by the emerging disciplines of sociology and anthropology in the late 19 Century. Western intellectuals sought to define “magic” in the light of the Scientific Revolution.
 
One of the first to do this was Edward Burnett Tylor (1832-1917, English). In “Primitive Culture (1871),” he struggled to differentiate magic from religion. The first phase of religious development, according to Tylor was “animism” (a concept he reintroduced). (Note 1) He regarded magic to be the most fundamental of all spiritual beliefs. However, Tylor thought it was a primitive belief since magic promoted pernicious delusions.
 
After reading Tylor, James G. Frazer (1854-1941, Scottish) decided to delve further into myth and magic. His book “The Golden Bough (1911)” presented the progression of human civilization from primitive magic to modern science. (For him, magic was a bastard science.) Frazer provided the standard rule for defining magic and religion. He said, “Magic attempts to compel the powers of the universe, religion supplicates them.”
 
Meanwhile, Marcel Mauss (1872-1950, French) wrote in his essay, “A General Theory of Magic (1902),” that magic, religion, and science overlapped. According to Mauss, magic used the forbidden secrets of society to meet an individual’s ends. Religion, on the other hand, was organized by society for the community.
 
The French sociologist, (David) Emile Durkheim (1858-1917) influenced Mauss and other anthropologists (Lucien Levy-Bruhl, Bronislaw Malinowski) in their studies of magic. Durkheim was preoccupied with how traditional societies reacted to modernity. He theorized in “The Elementary Forms of Religious Life (1912),” that magic and religion pertained to sacred things but that each governed their separate realms. The two differed in how humans saw their world, with magic being anti-social.
 
In “How Natives Think (1910),” Lucien Levy-Bruhl (1857-1939, French) introduced the concept of “the primitive mind versus the modern mind.” He believed that the primitive mind used magic to make things happen. Meanwhile the modern mind uses logic and reflection to achieve the same goals. Levy-Bruhl cautioned that even Westerners could possess the primitive mind since they too could be “pre-logical.”
 
After his studies in Melanesia and Australia, the anthropologist Bronislaw Malinowski (1884-1942, Polish-British) published the “Argonauts of the Western Pacific (1922).” Observing the cultures of the Islanders of New Guinea and Australia, he understood that their magic served basic human needs. Expanding on that idea, Malinowski reasoned that magic was “a means to an end.” Since it was used in meeting specific goals, magic was practical.
 
Notes:
Note 1. Tylor defined animism as “faith in the souls of all things.”
 
Works Used:
Bowie, Fiona, “The Anthropology of Religion: An Introduction.” 2008. PDF. https://www.academia.edu/331603/Anthropology_of_Religion.
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
Dobler, Gregor, “Fatal Words: Restudying Jeanne-Favret-Saada.” Anthropology of This Century, Issue 13, May 2015. http://aotcpress.com/articles/fatal-words-restudying-jeanne-favretsaada/.
Greer, John Michael, “The Occult Book.” Sterling: NY. 2017.
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
—, “A Framework for the Study of European Magic.” Grey School of Wizardry Class Materials. Dell.Urgano, Ombra, “The Development of European Magic.”
Moro, Pamela, “Witchcraft, Sorcery, and Magic.” International Library of Anthropology. https://onlinelibrary.wiley.com/doi/full/10.1002/9781118924396.wbiea1915 .
Seligmann, Kurt, “The Mirror of Magic.” 1948. Inner Tradition: Rochester (VT)
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 Throughout the coming year, I will be posting a series on European magic, as I know it.
 
My conception of Magic (Note 1)
 
Magic is many things to different people. I see it as a method to participate in the Cosmos with the forces of the Holy Powers. I do this through my rituals, prayers, and devotions. My magic shapes my experiences with the non-human beings of the cosmos. I see that we are all a part of the ecology of the Universe.
 
My first working definition of magic was based on Gordon White’s ideas. Writing in “The Chaos Protocols,” he explains that magic is exploiting the reality that the magician finds themselves in. The magician works to change the probabilities for having something else to occur. Since reality has a question mark after it, the magician can work within the cracks, and change it to be more to their liking.
 
My favorite definition of magic is by Kurt Seligmann in his “The Mirror of Magic.” He writes “Magic operation is the application of the practical use of wisdom…acquired in contemplation of the inner self and of nature. Magic endeavors to explain every phenomenon in life, in nature, in the invisible… unity of the universe with its endless entirety.” This matches my Roman sensibilities of piety and my modern sensibilities of changing probabilities. John Michael Greer at his blog adds that magic is participating in the spiritual forces of the cosmos. This is how I see magic.
 
I am a Roman Polytheist. For me, magic is a part of my religion. Ritual, prayers, and devotions at my altar are magic that show deep piety towards the Gods. For Romans, rituals need to be done correctly to ensure the blessings of the Gods. However, Romans do practice all forms of magic including curse tablets (tabulae defixiones).
 
After I researched the various discussions of magic from magicians and non-magicians, I realized that magic is undefinable. Each author had their own concepts about magic, and did not agree with any of the others. According to Peter Maxwell-Stuart writing in the “Oxford Illustrated History Witchcraft and Magic,” the desire for a specific and separate definition for magic came in the nineteenth century. At that time, Western European intellectuals wanted a precise difference between the rational versus the irrational. As science became the way of relating to the world, the line of demarcation between that and magic became important. Maxwell-Stuart, himself, noted that the categories of magic, religion, and science remain fluid.
 
Official Roman ideas about magic is that if it benefits the community, it should be encouraged. Magic that benefits the individual is discouraged. The legacy from the ancient Romans led people to split magic into black and white in the Middle Ages. Black magic was working with demons or conjuring up the infernal powers and holding them in servitude to the magician.
 
Towards the end of the Middle Ages, the association of magic to mean “black” (i.e., bad) became common. “White” (i.e., good) was absorbed into the Monotheistic religions, and not regarded as magic. “Magic” was then defined as the control of or gaining power over the universe. Magic was regarded as bending reality to the will of the spellcaster.
 
How my concept of magic differs from a wizard of the Renaissance is nuanced. On one hand, Alchemists and Hermetics regarded their magic as a part of the cosmos. They saw it as “All is contained in All,” and that “All is One.” On the other hand, they sought through their works to unite with the Divine. These magicians surfed the great currents of wisdom that flowed into the Divine. I do not want to unite with my Gods, since I do not see myself as being Divine.
 
Notes:
Note 1. I do not add a “k” in my discussion of magic since there is no difference to me between “magic” and “magick.” In the writings of various books on magic, none of the magicians refer to “magick,” except in reference to Aleister Crowley.
 
Works Used:
Davis, Owen, ed. “The Oxford Illustrated History of Witchcraft & Magic.” Oxford University Press: Oxford. 2017.
Greer, John Michael, “The Occult Book.” Sterling: NY. 2017.
“The Way of Participation: A Response to Paul Kingsnorth,” Web. 29 September, 2021. https://www.ecosophia.net/the-way-of-participation-a-response-to-paul-kingsnorth/.
Hutton, Ronald, “The Witch.” Yale University Press: New Haven. 2017.
Seligmann, Kurt, “The Mirror of Magic.” 1948. Inner Tradition: Rochester (VT).
White, Gordon, “The Chaos Protocols.” Llewellyn: Woodbury (MN). 2016.
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 Deciding:
 
The concern I chose was to ask for Jupiter’s blessings to finish my studies at the Grey School of Wizardry in a timely manner. I want to receive my Journeyman’s Certificate, and then continue on to the next phase of my magical life. Therefore, I wanted to finish quickly.
 
I chose Jupiter the Greater Benefic since this Planetary Being governs wisdom. I wanted to be filled with Jupiter’s optimism. Finally, I wanted Jupiter’s blessings to do the Greater Good with my new magical knowledge.
 
Timing is important in gaining as much magical energy as possible. I chose the month of May of the Waxing Year, the Waxing Moon, Thursday at 10 AM. May and Thursday are the traditional times associated with Jupiter. To have maximum energy, I chose the Waxing Year and Moon. 10 AM on Thursday was suggested for one of the correspondences for Jupiter.
 
For Materials:
 
I had a purple candle with the Pentacle of Jupiter carved on it. Purple is the traditional color of Jupiter. Since Jupiter governs the elements of Fire and Air, a candle with his Pentacle carved on it is appropriate.
 
Other materials were amethyst and lapis lazuli, the stones of royalty, and associated with Jupiter. Also, oak and cedar are the traditional trees associated with Jupiter. I could gather them outside of my home, and therefore instill my personal energies into them.
 
Effectiveness:
 
The Planetary Correspondences that I used in my spell were effective. I could readily assemble the items such as the oak leaves and the crystals. After they became filled with Jupiter’s power, I carry the crystals with me as talismans. They fill me with the energy to continue with my studies. For example, I am finishing up with two classes, and have signed up for another class.
 
After the Jupiter spell was finished, I did have an adverse reaction. Because I was knocked out for two days, I could barely manage my normal life. I did ask several magicians whom I knew why this happened. They explained that since I have extremely keen psychic senses, doing the spell was like ringing a church bell in a closet. The psychic reverberations from Jupiter felt like a loud gong going off next to my head. Because of that I decided not to do any more spells that involve Planetary Correspondences.
 
Planetary Correspondences are outside of Roman magic nor are the Planets are a part of the Roman religion. As a Roman Polytheist, I differentiate between Jupiter the Planet and Iuppiter the God. Although Melita Denning and Osborn Phillips in “Planetary Magick” have corresponded various Deities with Planets, I do not. The Roman Gods that these authors list are often thought to be the same as Greek ones. If I do approach the Planets in magic, I would do as I would numina (divine spirits).
 
Works Used:
Denning, Melita and Osborne Phillips, “Planetary Magick.” Llewellyn: Woodbury (MN). 1989.
Dykes, Benjamin and Jayne Gibson, “Astrological Magic.” Cazimi Press: Minneapolis. 2012.
Zell-Ravenheart, Oberon, “Grimoire for the Apprentice Wizard.” New Page Books: Franklin Lakes (NJ). 2004.
 
neptunesdolphins: dolphins leaping (Default)
 Since I am a Roman Polytheist, the spell that I constructed followed a traditional Roman ritual. The items I used were from my Lararium (altar). For the correspondences, I repurposed a lapis lazuli and amethyst from my collection. I gathered oak leaves and cedar for offerings. I did purchase a purple candle and carved the Pentacle of Jupiter on it.

In Roman rituals, Janus (Ianus), the two-headed God, receives the first and last offering. He guards the Threshold between ordinary and Celestial space. Offerings are made to Salus and the Lars for blessings and protection. I made an offering to the Planetary Being Jupiter. (The Roman God of the same name is called Iuppiter.)

Jupiter Spell for Finishing My Studies in a Timely Manner

Materials:

Turibulum: Incense burner with incense.

Salinum: Salt Cellar with salt.

Gutus: Milk pitcher with milk.

Lucerna (The Sacred Fire): A purple candle with Jupiter Sigil on it.

Patera: Offering bowl.

Talismans for blessing: small lapis disk and small amethyst ball.

Offerings: incense for Jupiter, cedar and oak leaves gather from around the building.

At the Lararium (Altar)

Signal approach: ring bells

Light the incense in the Turibulum:

Salve Ianus Pater!

Two-headed God

Who watches the comings, who watches the goings.

You guard the Threshold

Keep this inside and that outside.

Salve Ianus Patulcius!

I make the first offering to You to ensure that the opening of the Celestial Doors will result in good.

Offering the salt:

Salve Salus Mater!

The Purifying Goddess,

The Giver of Salt,

The Keeper of Public Health,

I offer this salt to You.

Offering the milk:

Salvete Lars Familiaris!

Guardians of the Home,

Guardians of the Family,

I offer this milk to You.

At the Lucerna, lighting the Jupiter Candle.

Salve Jupiter, Upholder of the Law.

Magnificence of Sovereignty

I offer this fire to You

Please attend and bless my rite.

Peaceful Jupiter fill the rite with your generosity.

Ritual Workings:

I sing the praises of

The Source of the Forces of Life,

The Disposer of True Wisdom,

The Great Benefic,

Most Magnificent and Bounteous.

I sing of Jupiter, the Upholder of the Law

Praise and Honor to You.

I offer this incense for your blessings on my endeavors. I offer this cedar and oak in your name. I wish to finish my Grey School of Wizardry studies in a timely manner. I will be at Level Seven in the next three months. Let me not tarry but continue onwards. Bless my efforts to graduate and become a Journeyman Wizard in two years.

Fill these talismans with your blessings that I may carry them with me to remind me of your wisdom. I thank You, Most Exalted Jupiter.

Unwinding the rite:

I thank you, Royal Wielder of the Scepter. Most Sovereign Jupiter. (Blow out candle.)

I thank you Lars Familiars, Watchers of my home and family. (Cork the milk bottle.)

I thank You, Salus Mater, Protector of Public Health (Cover the salt cellar.)

The last offering is for You, Ianus Clusivus for guarding the Threshold. I thank You to ensure that the closing of the Celestial Doors will result in good. (Offer incense.)

Ring bells to signal the end.

neptunesdolphins: dolphins leaping (Default)
Since quicksilver (Mercury) is dangerous, other metals with that metal’s qualities are often used for substitutes in planetary magic. In pondering how to replace quicksilver, I decided to see how the Planetary Powers are regarded in Alchemy. In doing the Great Work (Note 1.), metals were considered alive in evolving to their highest nature. The chain of metals in this evolution is lead (Saturn), tin (Jupiter), iron (Mars), copper (Venus), quicksilver (Mercury), silver (Luna), and finally gold (Sol). In the philosophy of Alchemy, the Great Chain of Being is a hierarchy in which all emanates from the One (God) and returns to the One. (This is where the idea of turning lead into gold comes from.)
 
Denis Hauck, a noted Alchemist, states that in Alchemy that Mercury is the key to the transformation of the metals. Quicksilver has a dual nature of the life force and of death and decay. Hauck adds that spells involving the Mercury Archetype focus on mental clarity and change.
 
Meanwhile, in “Astrological Magic,” Benjamin Dykes and Jayne Gibson says that Mercury’s action is quick and subject to alteration. In addition, Mercury rules interpreting and philosophy. The authors name many significators of Mercury such instruments, delicate or intricate things, and carvings.
 
I pondered what metal has any of these qualities. I came up with bronze which is an alloy of copper and tin. Once bronze was created, it sparked a change in how people lived. Because bronze is low friction, the metal was used for cannons. Bronze was also used for bells, singing bowls, and other musical instruments. Since people regarded this metal to be sacred, they used it in burials, offerings, and rituals. All these qualities have me believe that bronze would be a good substitute for quicksilver.
 
Notes:
Note 1. The Great Work of Alchemy is to “obtain control of the nature and power of one’s own being.” Zell-Ravenheart, p. 59.
 
Works Used:
Denning, Melita and Osborne Phillips, “Planetary Magick.” Llewellyn: Woodbury (MN). 1989.
Dykes, Benjamin and Jayne Gibson, “Astrological Magic.” Cazimi Press: Minneapolis. 2012.
Hauck, Dennis William, “Sorcerer’s Stone: A Beginner’s Guide to Alchemy.” Crucible Books: Sacramento (CA). 2013.
—, “The Complete Idiot’s Guide to Alchemy.” Alpha Books: New York. 2008.
Helmenstine, Anne Marie, Ph.D. “Composition and Properties of Bronze.” ThoughtCo, Aug. 25, 2020, thoughtco.com/bronze-composition-and-properties-603730.
Zell-Ravenheart, Oberon, “Grimoire for the Apprentice Wizard.” New Page Books: Franklin Lakes (NJ). 2004.
neptunesdolphins: dolphins leaping (Default)
In “Planetary Magick,” Melita Denning and Osborne Phillips describe the Magical Image of each of the seven classical planets (and luminaries) such as Luna is the “Lady of the Night.” These magical images can be found in books, movies and TV shows. A person can further their knowledge of the planets by studying various characters in popular culture.
 
SOL, THE SUN
Denning and Phillips describe Sol, the Sun as “Attuned to … spiritual illumination… Direction and distribution of energies and materials and the giving of wise counsel, even prophetically.” (Note 1.) In “Astrological Magic,” Benjamin Dykes and Jayne Gibson write for their “First Advancement: The Invocation of Sol,” “It’s through your power that the inner nature finds perfect equilibrium, true fulfillment, and magical selfhood.” (Note 2.)
 
For me, Obi-Wan Ben Kenobi of the original trilogy of the “Star Wars” movies (Note 3) is the Sun. He becomes a second father to Luke Skywalker, mentoring him in the ways of the Force. Later, Kenobi convinces Yoda that Luke is a worthy student. He guides Luke from being an immature farm boy to becoming a mature Jedi. Kenobi counsels him, “Remember Luke… The Force will be with you Always.” (Note 4.) While dueling with Darth Vader, Kenobi tells the Dark Lord of the Sith, “You can’t win, Darth. If you strike me down. I shall become more powerful than you can possibly imagine.” (Note 5.) These are the qualities of the Sun that I associate with Obi-Wan Ben Kenobi.
 
LUNA, THE MOON
Denning and Phillips describe Luna, the Moon, as “intense, passionate yet intrinsically cold, changeful … Further, the dreams of the Moon sphere are the potential realities of Earth.” (Note 6.) In their “First Advancement: The Invocation of Luna,” Dykes and Gibson writes, “It is you who brings all things to birth and growth and to their earthy fulfillment. Ruler of the Sacred Light, wherein all that is manifested is first perfected.” (Note 7.)
 
By bringing the New Republic into being, Princess Leia is Luna personified. (Note 8.) Passionate in her pursuit of deposing the Empire, Leia seems cold and removed to those who care for her. In “Star Wars,” she tells the assembled rebels, “We’ve no time for our sorrows, Commander. You must use the information in this R2 unit to help plan the attack. It’s our only hope.” This was after she had been tortured and witnessed her world being destroyed. Moreover, under Leia’s influence, Han Solo and Luke Skywalker become more than simply a smuggler and a farm boy respectively. Furthermore, she is the light that perfected the New Republic.
 
MERCURY
Denning and Phillips write that Mercury is “un-resting dual or even multiple in aspect but expressive of truth. The invisible and changeful force of the wind is an apt symbol.” (Note 9.) The authors state that one of the Magical Images of Mercury is the Divine Messenger. Meanwhile, Dykes and Gibson describe Mercury as the “Traveler between the Worlds.”
 
Luke Skywalker of the original trilogy of “Star Wars” (Note 10.) is the changeful force who disrupts things. First, he impulsively saves Princess Leia, and then he helps her to escape from the Death Star. Under Kenobi’s tutelage and Leia’s influence, Luke transforms from being an apolitical farm boy to being a committed Jedi Knight. As the Divine Messenger, Luke moves between the worlds of the Force and of ordinary life. In “The Return of the Jedi,” Luke saves his father Darth Vader, when he abruptly stops fighting him. Luke tells his dying father, “I’ll not leave you here. I’ve got to save you.” Vader replies, “You already have Luke…You were right about me.”
 
Works Cited:
Note 1. Melita Denning and Osborne Phillips, “Planetary Magick.” Page 55.
Note 2. Benjamin Dykes and Jayne Gibson, “Astrological Magic.” Page 132.
Note 3. “Star Wars (1977),” “The Empire Strikes Back (1980),” and “The Return of the Jedi (1983).” The original movies, not George Lucas’ director’s cuts.
Note 4. “Star Wars (1977),” original movie.
Note 5. Ibid.
Note 6: Melita Denning and Osborne Phillips, “Planetary Magick.” Page 91.
Note 7. Benjamin Dykes and Jayne Gibson, “Astrological Magic.” Pages 144-145.
Note 8. “Star Wars (1977),” “The Empire Strikes Back (1980),” and “The Return of the Jedi (1983).” The original movies, not George Lucas’ director’s cuts.
Note 9. Melita Denning and Osborne Phillips, “Planetary Magick.” Page 79.
Note 10. “Star Wars (1977),” “The Empire Strikes Back (1980),” and “The Return of the Jedi (1983).” The original movies, not George Lucas’ director’s cuts.
 
Works Used:
Denning, Melita and Osborne Phillips, “Planetary Magick.” Llewellyn: Woodbury (MN). 1989.
Dykes, Benjamin and Jayne Gibson, “Astrological Magic.” Cazimi Press: Minneapolis. 2012.
“The Empire Strikes Back,” Directed by Iven Kershiner, original version, 20th Century Fox, 1980
“The Return of the Jedi,” Directed by Richard Marguand, original version, 20th Century Fox, 1983.
“Star Wars”, Directed by George Lucas, original version, 20th Century Fox, 1977.
Star Wars: Data Bank, 2021, Web. https://www.starwars.com/databank.
WookiePedia: The Star Wars Wiki, 2021. Web. https://starwars.fandom.com/wiki/Main_Page.

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